Many western authors like to break with the 5/7/5 rule, but maintain the power, simplicity, and brevity.
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Above all, a Haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi Pastorella.” In Book of Haikus, Kerouac experiments this formal and freestyle. Jack Kerouac proposed that, because the English language structure is different than Japanese, the western haiku should “s imply say a lot in three short lines in any Western language. As Pound believed that superfluous words tend to dull an image, the philosophy of the Haiku is perfectly up his alley. The apparition of these faces in the crowd ĭescribing the Paris Underground, “ In a Station of the Metro ” is often considered the first haiku written in English, though it does not follow the 5/7/5 structure.
“In a Station of the Metro” by Ezra Pound As the art of the haiku traveled west, influential American writers like Ezra Pound picked up the craft. He learned the art of composing haikus from one of the four great haiku masters: Masaoka Shiki. He uses imagery of the spring season to describe his writing process.Ī slightly more modern Japanese poet, Natsume Sōseki, likens his breath to the wind in this haunting haiku. In it, he compares a written poem to a blooming poppy. Katsushika Hokusai, a disciple of Bashō, writes another powerful haiku that translation cannot accurately capture. A good example of this is haiku master Yosa Buson ’s comparison of a singular candle with the starry wonderment of the spring sky. Haikus focus on a brief moment in time, juxtaposing two images, and creating a sudden sense of enlightenment. Translated, Issa’s haiku doesn’t meet the 5/7/5 rule, but its power remains. Kobayashi Issa, another great Haiku master, writes this stirring poem that places the kireji at the end. Though sometimes, the kireji comes at the end of a haiku to give it a sense of closure. They are meant to comment on the season or surroundings of the authors and create some sort of contrasting imagery separated by a kireji or “cutting word” (like “Splash!”). Hokkus are collaborative poems which follow the 5/7/5 rule. Historically, haikus are a derivative of the Japanese Hokku. This traditional example comes from Matsuo Bashō, one of the four great masters of Haiku. A practice of artistic discipline, their minimal nature forces writers to pare down to only the essentials-making each word, or even syllable, count.
Haikus are known for their ability to paint a vivid picture in just a few words. Traditional and structured, this short form of Japanese poetry is well-known for its rule of 5/7/5: five syllables in the first line, seven in the second, and five again in the third.
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